Tilt and shift lenses
Among the extensive range of lenses designed for EOS cameras are four that do not carry the ‘EF’ designation. EF is short for electro-focus. All EF lenses offer autofocusing with EOS cameras. That means that, by default, this quartet of non-EF lenses must be manual focus only.
The lenses are designated ‘TS-E’ - this is an abbreviation of ‘tilt-and-shift for EOS’. The lenses tilt on their axis, and they shift (that is, they slide perpendicular to the axis). The mechanisms needed for these movements mean that it is not possible to include autofocusing, but the benefits offered by tilt and shift more than make up for this loss.
Canon’s TS-E lenses are now available in four different focal lengths - 17mm, 24mm, 45mm and 90mm.
Many cameras from the early days of photography featured a lens panel and a film back connected by a light-tight concertina bellows. Some of these cameras also had a ‘rising front’, which moved the lens upwards perpendicular to the lens axis. This arrangement soon developed into a versatile professional unit called a ‘view’ camera. The flexible concertina bellows unit means that it is relatively easy to make the whole lens panel move not only up and down, but also from side to side. It can also be tilted at an angle to the camera back.
Letting the lens panel rise or fall allows you to include the tops of buildings in the frame while controlling the perspective. Tilting the lens panel alters the position of the focus plane, so that it no longer needs to be perpendicular to the camera.
These features were lost with the introduction of 35mm cameras that, for the most part, have the lens mount set parallel to the camera back. It was only with the introduction of the Canon TS-E lenses in 1991 that some of the view camera features became available on 35mm cameras.
The actual shape of an image produced by a lens is round, the same shape as the lens itself.
This round image is projected to the rear of the camera, but the rectangular format of the digital sensor or film surface means that only part of the full image is recorded.
If the diameter of the image circle produced by the lens is similar to the diameter of the film or sensor rectangle, there is no scope for shifting the lens perpendicular to its axis. The moment you do this, corners of the rectangle will fall outside the image circle and will go dark.
The Canon TS-E lenses produce a larger than normal image circle. This means that when the lens is shifted, the film or sensor in the camera remains within the circle.
The maximum shift is 11mm in either direction on the TS-E45mm f/2.8 and TS-E90mm f/2.8 or up to 12mm on the TS-E17mm f/4L and TS-E24mm f/3.5L II. At first sight, it appears that you can only shift the lens in two directions. However, the entire lens is on a rotating mount, so the shift can be turned in any direction (always reset the shift to zero before rotating).
11mm or 12mm does not sound much. Couldn’t you get the same effect by moving the whole camera up or down by 11mm? No. If you raise the camera by 11mm or 12mm, you are simply moving the centre of the lens 11-12mm higher up the subject - the change to the image will be insignificant.
However, if you shift the lens by 12mm in relation to the film or sensor, you are moving the entire image by 12mm. The width of a 35mm film frame is only 24mm, so a 12mm shift gives almost a 50% change.
A small amount of shift can overcome the converging vertical lines in an image that occur when you tilt the camera upwards.
Munish Khanna is a well experienced creative photographer based in Delhi, India
ONLINE PHOTOGRAPHY COURSE One of the best known Online Photography course including videos and presentations. Join Now
WEDDING PHOTOGRAPHY Together We Rock is a team of best wedding photographers and cinematographers. get in touch for Candid Photography and Cinematic wedding films.
Pre Wedding Photography Take the first steps towards your wedding.